trigië
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The Trigan Empire sc: The Rise and Fall of the Trigan Empire, Volume IV
Deze Engelse integrale versie van alle Trigië verhalen bestaat uit vier delen. 256 Blz, inclusief de verhalen van andere tekenaars dan Don Lawrence.
The Trigan Empire sc: The Rise and Fall of the Trigan Empire, Volume III
Deze Engelse integrale versie van alle Don Lawrence Trigië verhalen bestaat uit vier delen. 256 Blz.
Vastly influential. Stunning. Dominated the genre of Science-Fiction epics. * The Independent * Lawrence [is] celebrated for his richly coloured, highly detailed visions of fantastic worlds. * The New York Times * I love Trigan Empire! It's absolutely epic. -- Duncan Jones (director Source Code, Moon) Don [Lawrence] painted a comic I loved. It was called the Trigan Empire - two comic pages a week, in the children's magazine Look and Learn, which even schools who banned comics allowed -- Neil Gaiman
Don Lawrence was born in 1928, and worked for Mick Anglo on the Marvelman comic produced for Amalgamated Press, and then Billy the Kid in the comic Sun. When Sun was absorbed into Lion he moved on to illustrating Olac the Gladiator, Karl the Viking and Maroc the Mighty. In 1965 he teamed with Mike Butterworth to create The Rise and Fall of the Trigan Empire for Ranger magazine, and continued to paint the comic through its transition into Look and Learn through to 1976. During this period he also worked on Fireball XL5 and The Adventures of Tarzan comic strips for TV Century 21. After leaving The Trigan Empire he worked with a Dutch publisher to create Storm, a post-apocalypse sci-fi series, which he would draw through to his retirement in 1999.
The Trigan Empire sc: The Rise and Fall of the Trigan Empire, Volume II
Deze Engelse integrale versie van alle Don Lawrence Trigië verhalen bestaat uit vier delen. 288 Blz.
Vastly influential. Stunning. Dominated the genre of Science-Fiction epics. * The Independent * Lawrence [is] celebrated for his richly coloured, highly detailed visions of fantastic worlds. * The New York Times * I love Trigan Empire! It's absolutely epic. -- Duncan Jones (director Source Code, Moon) Don [Lawrence] painted a comic I loved. It was called the Trigan Empire - two comic pages a week, in the children's magazine Look and Learn, which even schools who banned comics allowed -- Neil Gaiman
Don Lawrence was born in 1928, and worked for Mick Anglo on the Marvelman comic produced for Amalgamated Press, and then Billy the Kid in the comic Sun. When Sun was absorbed into Lion he moved on to illustrating Olac the Gladiator, Karl the Viking and Maroc the Mighty. In 1965 he teamed with Mike Butterworth to create The Rise and Fall of the Trigan Empire for Ranger magazine, and continued to paint the comic through its transition into Look and Learn through to 1976. During this period he also worked on Fireball XL5 and The Adventures of Tarzan comic strips for TV Century 21. After leaving The Trigan Empire he worked with a Dutch publisher to create Storm, a post-apocalypse sci-fi series, which he would draw through to his retirement in 1999.
The Trigan Empire sc: The Rise and Fall of the Trigan Empire, Volume I
Deze Engelse integrale versie van alle Don Lawrence Trigië verhalen bestaat uit vier delen. 304 Blz.
Vastly influential. Stunning. Dominated the genre of Science-Fiction epics. * The Independent * Lawrence [is] celebrated for his richly coloured, highly detailed visions of fantastic worlds. * The New York Times * I love Trigan Empire! It's absolutely epic. -- Duncan Jones (director Source Code, Moon) Don [Lawrence] painted a comic I loved. It was called the Trigan Empire - two comic pages a week, in the children's magazine Look and Learn, which even schools who banned comics allowed -- Neil Gaiman
Don Lawrence was born in 1928, and worked for Mick Anglo on the Marvelman comic produced for Amalgamated Press, and then Billy the Kid in the comic Sun. When Sun was absorbed into Lion he moved on to illustrating Olac the Gladiator, Karl the Viking and Maroc the Mighty. In 1965 he teamed with Mike Butterworth to create The Rise and Fall of the Trigan Empire for Ranger magazine, and continued to paint the comic through its transition into Look and Learn through to 1976. During this period he also worked on Fireball XL5 and The Adventures of Tarzan comic strips for TV Century 21. After leaving The Trigan Empire he worked with a Dutch publisher to create Storm, a post-apocalypse sci-fi series, which he would draw through to his retirement in 1999.